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ANNA BEATRICE SCOTT
Assistant Professor
Ph.D. in Performance Studies, Northwestern University
anna.scott@ucr.edu
(951) 827-3865
Office: ARTS 206

Anna Beatrice Scott is assistant professor in the Department of Dance at University of California, Riverside, and currently serving as a Provost’s Fellow in Theater, Film and Dance at Cornell University. She specializes in the study, analysis, and performance of dance practices in the African Diaspora, with an emphasis on the performance of Black Power Ideologies as they intersect transnational entertainment industries and local spiritual/philosophical practices. She is completing an e-book investigation of these issues, Completamente Pirado: O Carnaval Depois o Novo Linguagem do Pé (Flipped-out Tongues/Wagging Heads), a multimediated, user-driven experience of the ‘Grand Folly’ in Bahia, Brazil. She is also working up/out a book manuscript of her research travels, Decipherments--Carnaval, Citizenship, & Race in Salvador, Bahia-Brazil. In this work, Dr. Scott excavates the historical relationship between Black political mobilization and festivity, parading and protest, jesting and gesturing, folk practices and praxis, sound and space. Her most recent article, “What's it Worth to Ya? Adaptation and Anachronism: Rennie Harris' PureMovement & Shakespeare,” appears in Discourses in Dance, Spring 2004. Anna’s one-woman show, “Fish Tales, Rivers and Other Female Parts” has been presented at UC San Diego, RISD, and MIT. “Fish Tales” and other collected works can be found, in part, on the World Wide Web at http://www.negressdeterminata.com.

Publications:



"What's it Worth to Ya? Adaptation and Anachronism: Rennie Harris' PureMovement & Shakespeare," Discourses on Dance. Article accepted 2004.

"Dance," Culture Works. Ed. Richard Maxwell. Minneapolis: U Minnesota Press. 2001.

"It's All in the Timing: The latest moves, James Brown's grooves and the 70s Race Consciousness Movement in Salvador, Bahia-Brazil," Soul. Ed. Richard Green. New York: New York UP. 1998.

"Spectacle and Dancing Bodies that Matter: OR If it don't fit, don't force it," Meaning in Motion: New Cultural Studies in Dance. Ed. Jane Desmond. Post-Contemporary Interventions, Eds. Fredrick Jameson & Stanley Fish. Durham: Duke UP. 1997.

"Putting on the Mask to do Work in the World," Rocktober. special issue, "The History of Masked Rock 'N' Roll." #11:5, 1994.

"An Incredible Journey/Hip Tips for the Hipster Within," Fires in the Mirror Teachers' Guide. Boston: WGBH: 23 - 25, 1993.

"Stirrings of the Neo - Pan African Movement in Salvador, Bahia: A Perspective Through Dance," Black Arts Quarterly. Stanford: Stanford Committee on Black Performing Arts. 2: 15 - 18, 1991.

 

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